vintagegal:

Happy Birthday Joan Jett (September 22, 1958) (via)

vintagegal:

Happy Birthday Joan Jett (September 22, 1958) (via)

5,580 notes

I can make pumpkin spice lattes now

laaaaaaaadies 

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joshuamatthewallen:

The ink is running toward the page
It’s chasin’ off the days
Look back at both feet
And that winding knee
I missed your skin when you were east
You clicked your heels and wished for me

Through playful lips made of yarn
That fragile Capricorn
Unraveled words like moths upon old scarves
I know the world’s a broken bone
But melt your headaches, call it home

Hey moon, please forget to fall down
Hey moon, don’t you go down

1,818 notes

Maybe some darks are deep enough to swallow
what we want them to.

But you can’t have two worlds in your hands
and choose emptiness.
Mary Szybist, from “So-and-So Descending from the Bridge”, in Incarnadine (via hiddenshores)

1,647 notes

oorequiemoo:

Mermaid with waterlilies
french postcard, ca 1900

oorequiemoo:

Mermaid with waterlilies

french postcard, ca 1900

1,035 notes

wretchedoftheearth:

xtremecaffeine:

p-alindrome:

let me just say a few things about ‘all about that bass’ real quick

  1. it’s a song about body positivity and we don’t get many of those so can we just take that into consideration please
  2. i know people are kicking off about her using the phrase “skinny bitches” but she does follow it up with "no, i’m just playing i know you think you’re fat / but i’m here to tell you that / every inch of you is perfect from the bottom to the top"  she’s taken an insult commonly given to slim women and basically a said so what if you are skinny/skinny but you think you’re fat, YOU’RE STILL PERFECT 
  3. i’ve seen shit loads of people saying it makes them feel more confident, and slim women get a ton of media reinforcing the idea that their body is perfect anyway
  4. IT’S CATCHY AS FUCK 

I really want to like this song but I actually find it impossible to listen to for more than about 25 seconds.

yeah no it’s not body positive at all? and it’s actually really gross for reasons detailed excellently here.

1. “Before we start taking this apart piece by piece, I want to warn you that the entire song is sung by a white girl using a faux African-American Vernacular accent that’s only about two levels below Iggy Azalea on the “There is no way you actually sound like that in real life”-o-meter.”

2. “Okay, so, yeah. Maybe not a size two. But not fat or “plus-size” by any means. Don’t let the unflattering dress trick your eye. This girl is not a fat girl. This whole concept of not-fat women believing they need to call attention to their not-fat bodies in order to promote body acceptance baffles me. I call this the “fatcceptable movement.” Notice I didn’t say “fat acceptance movement” or “body acceptance movement.” Both of those ideologies rally against the cultural standard of one perfect size at which an individual earns their humanity. The fatcceptable movement insists that there is only one type of “real” woman, and any outliers are less sexually desirable to heterosexual men, and therefore of less value.”

3. “One of the main themes of this song is that women who are considered to be of average size are preferred by men. If this song is promoting body positivity, then why does it define a specific body type as being more desirable, and place all of a woman’s value on her fuckability to heterosexual men?”

4. “So, with that in mind, back to the fatcceptable stance on plastic surgery: even though we’re defining your worth as a woman solely by your appeal to men, if you do anything to try to make yourself more appealing, you’re a fake ass bitch and we hate you”

5. “This verse perfectly incapsulates what is wrong with this song. What could be a positive message comes out as a backhanded compliment. Sure, every inch of you is perfect from the bottom to the top, but only grudgingly. You get to feel good about yourself, but only if women Meghan Trainor’s size get to feel better by mocking your appearance. And only if you share the same weight insecurities.

And come on. Saying what you really think, followed by “just kidding,” is the most passive aggressive move on the planet. “Just playing” is like “bless your heart”: it’s a chance for the speaker to say whatever they want while forcing the target of the insult to accept what’s being said in good humor.”

6. “Did you guess the theme? Did you guess “black women as props?” Because that’s the theme. Of the four back-up dancers in the video, one is white. Trainor is shown flanked by two black women several times, including a scene where the women seem to be enthusiastically encouraging her dancing, a la Miley Cyrus’s infamous “We Can’t Stop” video. This isn’t done to encourage body acceptance or equality of any kind; it’s to show the audience that Trainor is cool. “

7. “The last picture is a perfect example of how society views the bodies of black women as available to all takers. In this scene, the white woman pictured grabs the black woman’s butt while she’s dancing. This reinforces not only the insidious cultural need of white people to control and sexualize black women’s bodies, but also the dangerous belief that the bodies of black women are on offer for anyone to sample, consent not required.”

82,628 notes

ursulavernon:

avianrecon:

Kestrel family in England. 

Source.

hello we are kestrels

this is our brick it is not your brick it belongs to kestrels

stop looking at our brick

we will cut you

14,706 notes